On
Friday the 13th of November, I began my journey to Queens, New York.
Mom came along, because she wanted to see the city. We stayed in the Super 8 on
North Conduit. We were either in or near an area called Jamaica.
On
Saturday began the journey to the tryout. I drove out to Queens College. I was
suspecting with the tryouts, there would be police and others directing traffic
to parking. But, I didn’t see any. I guess that was good, because according to
the information I had, parking was going to cost $10. I found Melbourne, which
was one of the streets AGT had given as a place to park. So, we parked and then
walked up a sidewalk next to a long, tall, cement wall until we found the
college entrance. I asked someone where the dining hall was, since that’s where
tryouts were. We began our journey, somewhat dazed and confused, across the
campus trying to find the landmarks from our directioneer. Yes, I made up the
word “directioneer”!
I
saw a group coming across campus in matching uniforms—white shirts, black ties,
red scarves and matching jackets. So, I asked if they were going to the AGT
tryouts. Since they were, we stuck with them as we tried to find our way. They
were a group called “Dangerous Signs”. They did some sort of synchronized, sign
language act. I’m not sure what that entails, but they were super nice.
Someone
saw the line and we headed towards it. After asking a few questions, we were
directed where to go. We stood in a short line outside that wrapped around the
outside of the dining area. They had a long area marked off. I jumped the
police tape, since the line wasn’t long at that time. It was around 9:00 a.m. I
imagine later in the day that line was longer. After asking a few people, I
showed my AGT ticket, showing preregistration. They gave me a purple wristband
and my identification sticker. Mom, as well as any guests, was given a yellow
wristband. We were then directed to the doors where we entered. Carousels were
set up that winded back and forth to the registration tables.
Before
getting in that line, I was frisked by the NYPD. There were quite a few police
officers around. I’m not sure if that had anything to do with AGT or if police
presence was on high alert due to the recent terrorist attacks in France.
So,
the journey through the carousels began. Fortunately, the line moved pretty
quickly. While in line, mom and I had a chance to talk to some of the other
acts. We were in line not far behind Dangerous Signs. I hope they make the
show! We spoke to a fellow who was maybe in his 50’s or early 60’s. He had a
cool, white hat. He was going to sing, “That’s Amore”. Apparently a friend of
his convinced him to come try.
We
spoke to a young lady who was going to sing. I’m guessing she was around twelve
or thirteen years old. She had strange eyebrows—painted on with eyebrow pencils
like older ladies do. I didn’t say anything about the eyebrows. Behind us was a
tall, black guy with a thick head of hair—almost an afro, but not quite. He was
with a friend, who was also trying out as a singer. We started talking to them
and she notified me that she thought I had a booger. After checking, no booger
was found. Apparently, I had some wild nose hair with a booger-like appearance.
There were several booger jokes exchanged.
While
in line, I heard some beat boxing. He sounded pretty good. I’m not sure how
people make all those sounds.
We
didn’t see anyone that looked too crazy in line. I was somewhat suspecting to
see a guy on roller skates in a chicken suit. But, nothing that crazy. There
were a few unusual looking people I saw later.
At
the front of the line, we waited until directed to the registration table,
which were actually several tables set up. The young lady we spoke to had a
computer open. I showed her my pass after taking her picture. I had everything
printed out, but she found me in the computer and things went pretty quickly.
She also spoke with mom. I think mom needed to fill out a form or something. I
was given a few pieces of paper stapled together with my preregistration ticket.
On the front was a questionnaire to fill out. We were directed to a large
waiting area, where I was supposed to fill out the form and just wait. They
said there were pens. I didn’t see anyone handing out pens, but saw a deserted
pen on a table, which I snatched. Hopefully it was deserted.
The
form asked things like name, age, place of birth and residence, how long and
how you learned your act, what other talents you have, occupation, what are
your dreams, what obstacles have you overcome in reaching your dreams, and who
is your biggest supporter. I hope they could read my writing, since I was writing
with my paperwork supported on a few folded up magazines mom had in her purse.
I
suspect the large area was probably the college cafeteria. There were hundreds
(maybe even a few thousand) people in there—some seated, some practicing and some
eating snacks. There was a Nathan’s hotdog. I think there may have been some
vending machines somewhere, since people had pops and waters. After sitting for
a while, I went to use the restroom. I saw a guy in there putting some sort of
red body paint on his chest. I didn’t take a picture, because there’s a creep
factor snapping a picture in a busy men’s room.
The
room was pretty noisy, with some just sitting, some practicing and some milling
around. There was a guy that would occasionally stand on a small platform up
front and give announcements.
I
wandered around a while and took some pictures. I saw my friend that was going
to sing, “That’s Amore”, so I snapped a few pictures of him. There were some
cute little girls in red dresses. I suspect they were doing some sort of Latin
American dance act, but who knows. One lady had something that looked like a
small candelabra. I have no idea what she was doing.
There
were some young ladies singing behind us—unfortunately, off key at several
points. In front of me, a guy had a table. He had a few cups and a few other
things set up. He had two pens and was doing some sort of drumming act. At
points, it sounded really good.
Mom
saw a guy in blue hair. She directed me to him, since I was taking pictures.
There he was, the guy with the body paint in the bathroom. He was wearing blue
hair and had a bare chest with some sort of red body paint. It didn’t look like
his body-painting job was complete.
Across
the room was a guy singing and playing an instrument. I think he was doing some
sort of one-man-band act. He sounded pretty good.
All
through this whole process, I was running my lines through my head for my
standup comedy act.
To
the side of the waiting room, was a line composed of the numbers they were
calling. When they called 850 and below, I was pretty excited, since the last
three of my ID sticker was 870. After a while, they said 900 and below was
coming up. Mom suggested we make our way closer to the line.
We
spoke to one of the helpers, who thought I was in line. I said I was in the next
group. He directed me to get in line right before the guy called 900’s and
below. I suspect getting near the line early saved about a half hour.
Everyone
was notified that after that point, there would be no videotaping, photography
or food. Anyone found doing that would be disqualified. I so wanted to take
pictures, but I couldn’t.
A
helper split off the group shortly behind us, and our group was told to follow
each other to the next area. We walked through an area cordoned off that was in
the same room as the people snaking their way to the registration table. I felt
like a big shot looking at those poor fools in line.
We
went to another, smaller waiting room. You could occasionally hear a singer or
instrument in the next room. People were cutting back and forth through this
room. One group came in with some instruments. They were told to get their
instruments out and ready. One guy had a beat-up, silver-colored sousaphone.
One guy had a large saxophone. Someone had what looked like a clarinet. When
they went in the room, you could hear a little bit of what they were playing,
which was some variation on a Michael Jackson song. They sounded pretty good.
I
ended up talking to a guy that was playing guitar. He had a small amp and stomp
box. I think he was from the Baltimore area. He was a little ornery. He said,
“Nice legs”, to a guy that walked by in high heels with shaved legs. He did
have rather muscular legs. I’m not sure what he was doing, but he entered the
audition room.
The
AGT helper was trying to keep a path clear in the middle of the room. He would
also occasionally tell us to keep things down, as apparently they could hear us
in the audition room. I spoke with him a little. He was a local hire. He said
they had about 1600 RSVP’s for the tryouts and that tryouts would probably run
to eleven or midnight. The tryouts closed at 7:00 p.m., but I assume they still
had many in line at that point.
There
were several acts in the waiting area. One guy was about fourteen and wearing a
suit. There was a teenager with a guitar. Throughout the whole process, I saw
countless people carrying guitars. There were some young girls and a kid with
his mother. Only one guardian was allowed in the audition room with minors.
Anyhow,
eventually we were let into the audition room. It was probably about fifteen feet
by twenty feet. Up front a few tables were set up with a laptop and various
papers. Occasionally an AGT person would wander in. Those trying out sat in
folding chair lining the sidewalls of the room. I was seated right above a
power strip, which apparently ran to various equipment. In the back corner was
a speaker, microphone, keyboard and bench set up. Behind the desk was a lady,
maybe in her late twenties or early thirties. I think she was the producer lady
for that audition room. Beside her was a guy with a video camera. She told us
that when she called us, we would walk to the X (which was just an X made out
of green tape), give our name, age, where we’re from and what we’re doing.
Then, we would perform. She said we didn’t need to stand on the X, but could
walk around if needed. She told everyone to keep things clean and that she
would stop us at ninety seconds. Actually, I think she let some of the kids go
a little longer. She also said she would be taking notes.
As
she called, people performed. It’s a little hard to remember exactly what
everyone did, since I was running through my act in my mind. Several younger
ladies sang. One girl had a strong voice. One didn’t project well and could
barely be heard. One young lady sang and played piano. There was a young man, I
think fourteen, that played guitar and sang. His playing was excellent and his
singing was solid. He was seated right next to me, so I gave him a fist bump
after his act. After each act, all the people trying out gave each other
applause.
One
kid had a harmonica with a neck band. When he was called, he did his act at the
keyboard. He did Billy Joel’s Piano Man.
He could sing. His keyboarding and harmonic playing was also strong. So, I
suspect he makes it. I gave a thumbs-up. If you see a young (maybe ten-year
old) Asian kid doing Piano Man, you
heard it from me first.
The
fourteen year old in the suit was a magician. He did a card act. He went up to
the table with the producer lady and did a close-up act. I couldn’t tell for
sure what he did.
Eventually
they called me. I really let it fly, giving my act a ton of energy. The
producer lady was laughing at several points. I could also hear people behind
and to my sides laughing. She stopped me before I finished my act. I only had
about fifteen words left, so I was a little disappointed I didn’t get to do my
ending. I was using a ton of facial expressions and taking dramatic pauses. So,
maybe I was at 90 seconds, but I think she may have stopped me a little shorter
to keep things on track. One line in my act was, “Anyone wake up this morning
and your first thought was, I hate my job?” I heard the producer lady respond
something to the effect of no, not me. Usually, it’s a pretty good sign when
the audience is so involved in your act, that they’re responding under their breath
while also laughing and smiling.
When
the guy with the guitar, stomp box and amp performed, he said he was going to
free style. The producer lady said since he was free styling, that she would
stop him at 90 seconds. He got a few loops going with his stomp box and then
starting rapping. His rap wasn’t that great. This was an opportunity for me to
read the producer lady when she stopped him. I wanted to see if his stop was
different than when I was stopped. Her demeanor was different when she stopped
him. While subtle, her demeanor was saying, “Okay, okay, enough already!” Mine
was a positive stop. The body language was more speaking, “Okay, I’ve heard
enough. I think you’re great!” It was just a slight smile and a positive tone
in her voice. I suspect she noted to look at my video further, but that’s just
my best guess. They only notify the people who make the show and that could be
as late as April.
After
audition, we left. A few of the young girls said I was funny. Their mom
mentioned they were teachers and we’re kidding me, because one of my lines
dealt with teachers having teaching disabilities. I told them I teach college
and they seemed fine with that. We walked out and I saw the line wrapping
around the building. It was around 1:00 p.m. We walked past a group in blue
uniforms. I wished them luck. And, my tryouts were over.
Thanks for the inside details Brett. It would be good for performers auditioning for future seasons to read this and also understand you must be able to prove yourself in 90 seconds. Thanks for sharing!
ReplyDelete90 seconds is pretty brutal and can mess with a comedian's head. There is the pitfall of feeling the need to speed up to get in enough jokes. From what I've seen, comedy doesn't work when one speeds up. In general, comedy works best when delivery speed is slow, because the audience needs time to absorb the material and get the punchlines. I describe comedy as working best when delivery is slow, but emotional context is high. For a 90 second tryout, the best strategy in my opinion is to memorize the material and to write efficiently. You need at least 7-8 solid punchlines and anything over about 80-100 words per minute is just too fast. And, it needs to be memorized. I don't think that is true for all comedy venues, as crowd play and adapting to the moment are key components of comedy, but 90 seconds only allows time to take things in one direction. It either works or doesn't, but there really isn't time to adapt or go with plan B.
DeleteThanks for the detailed story of your experience. Sounds like it was an adventure you will never forget. We pray for your success and good news in April. Betsy and Wes.
ReplyDeleteThanks! It will be interesting if I make the show.
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